Devery Jacobs Talks Marvel’s ‘Reservation Dogs’ and ‘Echo’

For Ofrom the third annual TV Portfolio, we asked 21 wanted names from TV to pay homage to their favorite small-screen characters by stepping into their shoes.

It’s no exaggeration to say that there had never been a show like Reservation dogs before it hit FX in August 2021. Devery Jacobs knew this from the start of production: whereas in the past, she’d often show up to work only to find she was one of the few, if not the only, Indigenous people. alone, involved in a project, suddenly, she was surrounded by those of her community. “I had never been on a set where there was an all or almost all Indigenous cast and crew, an all-Indigenous writers room, an Indigenous showrunner, a producer,” she says of the series co. -created by Sterlin Harjo and Taika Waititi. Moreover, they share his determination to disrupt the way Indigenous peoples have for so long been portrayed on screen. Before Reservation dogssaid Jacobs, “the casting opportunities there were Pocahontas-type roles – really stereotypical young Indian girls [who revolve around] white guys.

Jacobs plays Elora, one of the teenage troublemakers living on an Oklahoma reservation who sits at the center of the series. “It’s kind of the brains behind the operation,” says Jacobs. “She can be a little moody, but she has so much heart.” Since the end of the second season of the series, which began on August 3, the actor has moved on to EchoMarvel Studios’ Hawk Eye spin-off on Maya Lopez, a deaf and Native American superheroine. Here, Jacobs discusses his early days in the MCU, his big plans for Disney, and crying ‘gay tears’ She-Ra and the Princesses of Power.

When you were shooting the first season of Reservation dogs, did you realize how much that would resonate with the audience?

I knew it would be an accurate representation [of Native communities], but I had no idea if it would resonate with non-native audiences. We were originally supposed to shoot the pilot in April 2020. I remember talking to Sterlin Harjo, the showrunner, and saying to him, the only time there’s an Indigenous pilot, of course, is a pandemic. Before the pandemic, there were projects where I felt really isolated on set. Shoot the pilot Dogs Ground was such an antidote to that. It ended up being such an emotional and personal experience. We had no idea if the show would be picked up. All we knew was that we had a week and a half to shoot this pilot and infuse it with all our love for storytelling, our communities, our families.

Jacobs with the cast of “Reservation Dogs.” Courtesy of FX.

When did you realize the series was a smash hit?

I don’t know if I fully felt the impact of the show’s success. But there have certainly been moments of setbacks. For Native Americans, Halloween has always been very loaded in terms of people dressing up as Pocahontas or – I won’t even say the word – insult for the Inuit. It’s usually a moment of frustration, where you feel like you’re screaming into the void. So to see it being knocked down, with natives dressing up as native characters from Reservation dogs, has been so rewarding. It was one of the key moments for me to realize that this show is a success. And then also that non-Aboriginal people are welcomed into our storytelling circles.

You are from Canada, yes?

Yes, I’m from Canada. But I don’t consider myself a Canadian. I am Mohawk first and foremost. Our territory is both north and south of this border that has been imposed on us. I consider myself Mohawk. This is the nation where I come from.

Do you share any similarities with your character, Elora?

I am very different. Elora has been through a lot of trauma and as a result, she has built a hardened exterior. She is tough and strategic in getting out of where she grew up. I was able to connect with her through her big sister relationship she has with the rest of the Rez Dogs, as I have an older sister and two younger sisters in my rez. But I’m a lot more nerdy, a lot softer. I’m not aggressive, while Elora is quick to fight.

Did misbehaving for this role feel liberating to you?

I’ve always been a bit overachieving, a goody-two-shoes. But because I’m Mohawk and I grew up on my ground floor, I was raised inherently political. In 1990, there was the Oka crisis, a 78-day standoff between the Canadian army and the Mohawk nation. Growing up in the wake of this, I saw activism as something that has always been part of my community and my upbringing. When it came to getting into trouble, the kind of trouble that was allowed and acceptable was the kind that came with protest and activism – the kind of trouble that came with defending our turf. It was the one area of ​​my life where I really felt like I could lean on the anger and the disturbances.

You have joined the writers room for the second season of the series. How did it happen?

It was something I really wanted to be a part of. But I felt like I had to prove that I had enough experience or a good enough perspective to be useful. So I collected all my writing samples. I was preparing for a big battle when Sterlin said to me, “Hey, you wanna join the writers room?” I was like, “Oh, you mean I don’t have to fight for this?” First I was brought in for a few weeks, then it was extended to all the time.

In the future, do you want to write as much as play?

I started writing in 2016, initially out of necessity. The industry was really different back then, even more so than it is now. I was discouraged by it and had a moment of, well, why am I waiting for someone to recount these experiences that resonate deeply with me when I have a voice perfectly capable of me- same? So I wrote my first short film and I found the experience so rewarding. I don’t know if there is a hierarchy of mediums in which I want to work. I would like to act, I would like to produce, I would like to direct, I would like to write: I would like to do everything. I remember watching Taika’s movie Boy when I didn’t know if I would be able to write, direct and act at the same time, and I thought to myself, if he can do it in Boythen I can do it in this 10 minute short.

It’s a very different process to how things are done at Marvel.

I landed the role a few months ago and I’ve sworn to secrecy. In fact, I didn’t tell my parents about it for several weeks, because I knew it would be a monumental secret for them to hold. They did, and they did for a while. I work in Atlanta now, and I do it with Alaqua Cox, who is Deaf and Native and just amazing. And it’s really special to reunite with Sydney Freeland, a trans and Navajo filmmaker that I’ve known since season 1 of Reservation dogs.

What can you tell me about your character, Julie?

I don’t know if I can say much. I can say that I took American Sign Language lessons so that I could communicate better with Alaqua and some of the team members on Echo, and it has been such a rewarding experience. I didn’t know about deaf culture in North America, and I wish I had covered it earlier.

I know you can’t say much, but I was wondering if your character is queer, or how well you’ve gotten that part of your identity into a role.

There have been discussions. I feel like my perspective as a human is intrinsically shaped by my experience as a queer person; regardless of sexual orientation or gender identity [my characters], there is a strangeness brought to every role I play. And I think the public really understands that in Dogs Ground. I think because creatives like Sydney, Tommy Pico, Elva Guerra and myself lend so much of ourselves to [the series], the audience definitely feels the weirdness in the show even though it’s not a queer show. We’ll have to stay tuned for more on my character’s journey on Echo.

Tell me about Catra, the character you chose for this portfolio.

Catra is the antagonist of She-Ra, an animated series developed by the amazing queer graphic novelist ND Stevenson. I’ve had so many queer people in my life say to me, “You gotta watch this show.” So I gave him a watch, and it just blew my mind. It left me devastated; it put me back together. Really, I don’t know if I’ve ever seen a show this well-written or thoughtful – which is crazy to say, since it’s a cartoon; it’s for young people. People don’t necessarily think about He-Man and She-Ra as being smart. I re-watched the series in preparation for this, and the finale emotionally ruined me. It left me in tears so happy.

Devery Jacobs as Catra’s She-Ra and the Princesses of Power. Jacobs door Gucci jacket; Moschino gloves.

Do you watch a lot of anime series?

I wouldn’t say I’m the biggest anime fan, but I love animation and graphic novels. One of my career goals is to be able to approach Disney and get the rights to dub all the Disney Pixar movies in Mohawk, and then get the funding to do it in many of the world’s native languages. It’s on my to-do list.

Hair by Rena Calhoun; makeup by Toby Fleischman.


Back to top button